۞
1/4 Hizb 17
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Said the eminent among the people of Pharaoh, "Indeed, this is a learned magician 109 who seeks to drive you from your land what do you command' 110 They said, 'Put him and his brother off a while, and send among the cities musterers, 111 who should bring to you every skillful magician." 112 And so the sorcerers came to Fir'aun (Pharaoh). They said: "Indeed there will be a (good) reward for us if we are the victors." 113 He said, “Yes, and you will then become close to me.” 114 They said: O Moses! Either throw (first) or let us be the first throwers? 115 He said, 'You cast.' And when they cast they put a Spell upon the people's eyes, and called forth fear of them, and produced a mighty sorcery. 116 And We inspired to Moses, "Throw your staff," and at once it devoured what they were falsifying. 117 ۞ Thus truth was confirmed, and all that they did was made of no effect. 118 So they were defeated there and then, and were returned disgraced. 119 and the sorcerers prostrated themselves, 120 [and] exclaiming: "We have come to believe in the Sustainer of all the worlds, 121 "The Lord of Musa (Moses) and Harun (Aaron)." 122 Pharaoh said: 'What! Do you believe before you have my permission? Surely this is a plot you have contrived to drive out the rulers from the capital. So you shall see, 123 "Be sure I will cut off your hands and your feet on apposite sides, and I will cause you all to die on the cross." 124 They said: Surely to our Lord shall we go back: 125 And you do not resent us except because we believed in the signs of our Lord when they came to us. Our Lord, pour upon us patience and let us die as Muslims [in submission to You]." 126
۞
1/4 Hizb 17
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ملاحظات وتعليمات
Notes and Instructions
يعرض القرآن الملون الصفحات بواحد من ثلاثة خطوط عربية. قد يظهر أي منهم بإحتمال الثلث، مما يزيد على التنوع الموجود أصلا في الألوان. وتبقى الكلمات خالدة الى الابد. وقريبا، سيكون للقرآن الملون خطوطا أُخرى جميلة إن شاء الله.
ColorfulQuran.com displays pages in one of three Arabic fonts. Each may appear with a one-third chance, adding more diversity to the already diverse colors. And the words remain unchanged forever. ColorfulQuran.com will have more beautiful fonts soon, God willing.
عند قراءة القرآن الملون في وضعية اللغة العربية المرسومة بالأحرف الإنجليزية، قد لا تلاحظ وجود منظومة برمجية مصممة لمطابقة متطلبات علامات الوقف في النص العربي الأصلي. فكما تعلم، يحتوي القرآن على خمسة أنواع رئيسية من علامات الوقف. (1) وقف لازم، حيث يستخدم الرسم الإنجليزي نقطة وقف. (2) وقف جائز مع الوقف أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلثين. (3) وقف جائز مع تساوي أولوية الوقف والوصل، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال النصف للنصف. (4) وقف جائز مع الوصل أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلث. (5) وقف المجاذبة أو المعانقة حيث يجب الوقف في أي من موضعين قريبين ولكن ليس كلاهما، حيث يستخدم الرسم الإنجليزي فاصلة تظهر في أحد الموقعين باحتمال النصف للنصف.
When reading the Colorful Quran in English transliterated Arabic mode, you may not notice that there is an algorithm designed to match the pause requirements of the original Arabic scripture, (waqf signs). As you may know, the original Arabic Quran has five main types of pauses, (waqf) signs. (1) Compulsory break, where the transliteration uses a full stop. (2) Optional pause with the preference for pausing, where the transliteration uses a comma that may appear with a probability of two thirds. (3) Optional stop with an equal preference for pausing and resuming, where the transliteration uses a comma that may appear with a half-half probability. (4) Optional pause with the preference for resuming, where the transliteration uses a comma that may appear with a chance of one third. (5) Attraction pause, also called hugging, or (mu’anaka) sign, where it is compulsory to pause at either one of two nearby positions, but not both; where the transliteration inserts a comma at either one of the two locations with a half-half probability.
قراءة القرآن مترجماً إلى الإنجليزية أو أية لغة أخرى أشبه بقراءة كتب التفسير من قراءة ترجمات حرفية.
Reading the Quran translated into English, or any other language, is more like reading books of interpretation than reading literal translations.