۞
Hizb 47
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۞ Who does greater evil than he who lies against Allah and belies the truth when it comes to him? Is there not a lodging in Gehenna (Hell) for the unbelievers? 32 And he who brings the truth and (he who) accepts it as the truth-- these are they that guard (against evil). 33 All that they have ever yearned for awaits them with their Sustainer: such will be the reward of the doers of good. 34 So that Allah will do away with the worst of what they did and give them their reward for the best of what they do. 35 IS NOT God enough for His servant? And yet, they would frighten thee with those [imaginary divine powers which they worship] beside Him! But he whom God lets go astray can never find any guide, 36 whereas he whom God guides aright can never be led astray. Is not God almighty, an avenger of evil? 37 And wert thou to ask them: who hath created the heavens and the earth? they will surely say: Allah. Say thou: bethink ye then that those whom ye call upon beside Allah, could they if Allah intended some hurt for me, remove His hurt? or if He intended some mercy for me, could they withhold His mercy? Say thou: enough for me is Allah; in Him the trusting put their trust. 38 Tell them: “My people, continue to work in your position as you will, I too will continue with my work. Soon you shall know 39 "To whom comes a disgracing torment, and on whom descends an everlasting torment." 40 [O Prophet!] We have sent down to you the Book for mankind with the truth. Then whoever adopts the right way, will do so for his own soul, and whoever goes astray, injures his own soul. You are not their custodian. 41
۞
Hizb 47
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ملاحظات وتعليمات
Notes and Instructions
عند قراءة القرآن الملون في وضعية اللغة العربية المرسومة بالأحرف الإنجليزية، قد لا تلاحظ وجود منظومة برمجية مصممة لمطابقة متطلبات علامات الوقف في النص العربي الأصلي. فكما تعلم، يحتوي القرآن على خمسة أنواع رئيسية من علامات الوقف. (1) وقف لازم، حيث يستخدم الرسم الإنجليزي نقطة وقف. (2) وقف جائز مع الوقف أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلثين. (3) وقف جائز مع تساوي أولوية الوقف والوصل، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال النصف للنصف. (4) وقف جائز مع الوصل أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلث. (5) وقف المجاذبة أو المعانقة حيث يجب الوقف في أي من موضعين قريبين ولكن ليس كلاهما، حيث يستخدم الرسم الإنجليزي فاصلة تظهر في أحد الموقعين باحتمال النصف للنصف.
When reading the Colorful Quran in English transliterated Arabic mode, you may not notice that there is an algorithm designed to match the pause requirements of the original Arabic scripture, (waqf signs). As you may know, the original Arabic Quran has five main types of pauses, (waqf) signs. (1) Compulsory break, where the transliteration uses a full stop. (2) Optional pause with the preference for pausing, where the transliteration uses a comma that may appear with a probability of two thirds. (3) Optional stop with an equal preference for pausing and resuming, where the transliteration uses a comma that may appear with a half-half probability. (4) Optional pause with the preference for resuming, where the transliteration uses a comma that may appear with a chance of one third. (5) Attraction pause, also called hugging, or (mu’anaka) sign, where it is compulsory to pause at either one of two nearby positions, but not both; where the transliteration inserts a comma at either one of the two locations with a half-half probability.
تشير بداية ونهاية كل سورة الى السور المنزلة قبلها و بعدها. يمكنك الضغط على أي منها للذهاب إليها.
The beginning and end of every Surah mention the Surahs sent down before and after. You can click or tap on either one to go there.
اقرأ القرآن الكريم كله ملونا بالكامل، حيث تولد ألوان وأشكال الصفحات بشكل متنوع حيث لا يتكرر التركيب نفسه مرتين أبدا. القرآن هو العهد الخاتم والفاصل من الله الواحد الأحد لكافة الناس من جميع الألوان والأشكال.
Read the entire Holy Quran in full color. Pages diversely generate their colors and shapes so that the same scheme never repeats twice. The Quran is the conclusive Final Testament of the One and Only God for all people of all colors and shapes.