۞
Juz 20 ▼

Hizb 39
< 330 >
< random >
▼ 27 The Ant
Al-Naml 4 of 7
We sent to Thamud their brother Saleh (who said): "Worship God." But they were divided into two groups disputing with one another. 45 He said, “O my people, why do you hasten upon the evil before the good? Why do you not seek forgiveness from Allah? Perhaps there may be mercy upon you.” 46 They said: We augur evil of thee and those with thee. He said: Your evil augury is with Allah. Nay, but ye are folk that are being tested. 47 And there were nine persons in the city who used to cause turmoil in the land and did not wish reform. 48 Swearing by Allah they said to one another, “We will indeed attack him and his family at night, and then say to his heir, ‘We were not present at the time of slaying of this household, and indeed we are truthful.’” 49 Thus they planned and We too planned, the while they did not know. 50 Then look how was the outcome of their plan - that We destroyed them and their people, all. 51 So these are their houses fallen flat, the recompense of their injustice; indeed in this is a sign for people who know. 52 and We saved those who believed in and feared God. 53 And (We sent) Lut, when he said to his people: What! do you commit indecency while you see? 54 What, do you approach men lustfully instead of women? No, you are a people that are ignorant.' 55 ۞ There was no other answer given by his people except that they said: "Drive out the family of Lout (Lot) from your city. Verily, these are men who want to be clean and pure!" 56 So We saved him and his family, except for his wife; We destined her to be of those who remained behind. 57 and We pelted them with torrential rain. How dreadful that rain was for those who had been warned! 58
۞
Juz 20 ▼

Hizb 39
< 330 >
< random >
▼ 27 The Ant
Al-Naml 4 of 7
ملاحظات وتعليمات
Notes and Instructions
اضغط المثلثات الصغيرة أعلى الإطار وأسفله إلى اليمين لعرض فهرس الأجزاء حيث يمكنك الانتقال إلى أي جزء أو حزب أو ثلاثة أرباع أو نصف أو ربع أو أية صفحة بداخله.
Click or tap the small triangles above and below the frame on the left to display the Juz Table of Contents where you can go to any Juz, Hizb, ¾, ½, ¼, or any page within.
عند قراءة القرآن الملون في وضعية اللغة العربية المرسومة بالأحرف الإنجليزية، قد لا تلاحظ وجود منظومة برمجية مصممة لمطابقة متطلبات علامات الوقف في النص العربي الأصلي. فكما تعلم، يحتوي القرآن على خمسة أنواع رئيسية من علامات الوقف. (1) وقف لازم، حيث يستخدم الرسم الإنجليزي نقطة وقف. (2) وقف جائز مع الوقف أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلثين. (3) وقف جائز مع تساوي أولوية الوقف والوصل، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال النصف للنصف. (4) وقف جائز مع الوصل أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلث. (5) وقف المجاذبة أو المعانقة حيث يجب الوقف في أي من موضعين قريبين ولكن ليس كلاهما، حيث يستخدم الرسم الإنجليزي فاصلة تظهر في أحد الموقعين باحتمال النصف للنصف.
When reading the Colorful Quran in English transliterated Arabic mode, you may not notice that there is an algorithm designed to match the pause requirements of the original Arabic scripture, (waqf signs). As you may know, the original Arabic Quran has five main types of pauses, (waqf) signs. (1) Compulsory break, where the transliteration uses a full stop. (2) Optional pause with the preference for pausing, where the transliteration uses a comma that may appear with a probability of two thirds. (3) Optional stop with an equal preference for pausing and resuming, where the transliteration uses a comma that may appear with a half-half probability. (4) Optional pause with the preference for resuming, where the transliteration uses a comma that may appear with a chance of one third. (5) Attraction pause, also called hugging, or (mu’anaka) sign, where it is compulsory to pause at either one of two nearby positions, but not both; where the transliteration inserts a comma at either one of the two locations with a half-half probability.
اقرأ القرآن الكريم كله ملونا بالكامل، حيث تولد ألوان وأشكال الصفحات بشكل عشوائي تماما بحيث لا يتكرر التركيب نفسه مرتين.
Read the entire Holy Quran in full color, where pages randomly generate their colors and shapes so that the same scheme never repeats twice.