Juz 29 ▼
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▼ 74 The Hidden Secret
Al-Muddath-thir 2 of 2
Nay, by the moon, 32 and by the night when it recedes, 33 And by the dawn when it brightens, 34 hell is certainly the greatest calamity. 35 A warning for people -- 36 To any of you that chooses to press forward, or to follow behind;- 37 Every soul shall be pledged for what it has earned, 38 Except the people of the right hand, 39 Sitting in the gardens, asking 40 concerning the sinners, 41 "What was it that brought you to Hell?" 42 They said, “We never used to offer the prayer.” 43 nor did we feed the destitute. 44 And we used to enter into vain discourse with those who engaged [in it], 45 and we gave the lie to the Day of Judgement 46 "Until there came to us (the death) that is certain." 47 The intercession of the intercessors will be of no benefit to them. 48 Then what is [the matter] with them that they are, from the reminder, turning away 49 As if they were frightened (wild) donkeys. 50 Fleeing from a hunter, or a lion, or a beast of prey. 51 Nay, but everyone of them desireth that he should be given open pages (from Allah). 52 Nay, but they do not [believe in and hence, do not] fear the life to come. 53 Nay! it is surely an admonition. 54 Then whoever wills will remember it. 55 And they will not remember, except that God wills; He is worthy to be feared, -- worthy to forgive. 56
True are the words of God the Almighty.
End of Surah: The Hidden Secret (Al-Muddath-thir). Sent down in Mecca after Unknown Person (Al-Muzzammil) before The Key (Al-Faatehah)
Juz 29 ▼
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< random >
▼ 74 The Hidden Secret
Al-Muddath-thir 2 of 2
ملاحظات وتعليمات
Notes and Instructions
عند قراءة القرآن الملون في وضعية اللغة العربية المرسومة بالأحرف الإنجليزية، قد لا تلاحظ وجود منظومة برمجية مصممة لمطابقة متطلبات علامات الوقف في النص العربي الأصلي. فكما تعلم، يحتوي القرآن على خمسة أنواع رئيسية من علامات الوقف. (1) وقف لازم، حيث يستخدم الرسم الإنجليزي نقطة وقف. (2) وقف جائز مع الوقف أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلثين. (3) وقف جائز مع تساوي أولوية الوقف والوصل، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال النصف للنصف. (4) وقف جائز مع الوصل أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلث. (5) وقف المجاذبة أو المعانقة حيث يجب الوقف في أي من موضعين قريبين ولكن ليس كلاهما، حيث يستخدم الرسم الإنجليزي فاصلة تظهر في أحد الموقعين باحتمال النصف للنصف.
When reading the Colorful Quran in English transliterated Arabic mode, you may not notice that there is an algorithm designed to match the pause requirements of the original Arabic scripture, (waqf signs). As you may know, the original Arabic Quran has five main types of pauses, (waqf) signs. (1) Compulsory break, where the transliteration uses a full stop. (2) Optional pause with the preference for pausing, where the transliteration uses a comma that may appear with a probability of two thirds. (3) Optional stop with an equal preference for pausing and resuming, where the transliteration uses a comma that may appear with a half-half probability. (4) Optional pause with the preference for resuming, where the transliteration uses a comma that may appear with a chance of one third. (5) Attraction pause, also called hugging, or (mu’anaka) sign, where it is compulsory to pause at either one of two nearby positions, but not both; where the transliteration inserts a comma at either one of the two locations with a half-half probability.
توجد تمارين تحفيظ للوضعين العربي الأصلي والعربي المخطوط بأحرف إنجليزية فقط. ولا تحتوي الترجمة الإنجليزية على تمارين حفظ.
There are memorization exercises for the original Arabic and English transliterated Arabic modes only. The English translation mode has no memorization exercises.
اقرأ القرآن الكريم كله ملونا بالكامل، حيث تولد ألوان وأشكال الصفحات بشكل متنوع حيث لا يتكرر التركيب نفسه مرتين أبدا. القرآن هو العهد الخاتم والفاصل من الله الواحد الأحد لكافة الناس من جميع الألوان والأشكال.
Read the entire Holy Quran in full color. Pages diversely generate their colors and shapes so that the same scheme never repeats twice. The Quran is the conclusive Final Testament of the One and Only God for all people of all colors and shapes.